Color &

Typography System

See What Holds It Together

01. What Should the Brand Look Like Before Anyone Reads a Word?

02. Which Colours Should the Brand Actually Own?

03. What Should the Typography Make the Brand Feel Like?

04. How Should Headlines, Body Copy, and Packaging Work Together?

05. Will the System Still Work Across Every Touchpoint?

06. How Do Colour and Typography Become One Recognisable System?

Inside a TFX Color & Typography System

What We Define:

  • Primary colors
  • Secondary colors
  • Accent colors
  • Functional colors
Core

What We Build:

  • Primary typeface
  • Secondary typeface
  • Type hierarchy
  • Usage rules

What It Guides:

  • Packaging
  • Digital
  • Print
  • Brand communication

We do not choose colors only because they look good together.

The color system should support the brand positioning, personality, audience, category, and the perception we want to create. We also study competitor palettes so the brand does not unintentionally disappear into familiar category patterns.

For Uveraa, the system needed to communicate science and trust without becoming overly clinical. That meant finding a balance between clarity, intelligence, and warmth rather than simply choosing typical healthcare colors.

There is no fixed number.

Most brands need more than one primary color, but adding too many without clear roles creates inconsistency.

A structured brand color palette may include:

  • Primary colors
  • Secondary colors
  • Accent colors
  • Functional colors
  • Background or neutral colors

The important part is defining when and why each color should be used, so every designer is not creating a different version of the palette.

Typography is selected based on both personality and usability.

We look at how a typeface feels, how readable it is, what languages and characters it supports, how many weights are available, how it behaves at different sizes, and whether it works across packaging, websites, presentations, and print.

For Rinele, typography needed to feel refined and premium while remaining contemporary and practical enough to work across real brand applications.

A beautiful font that cannot function consistently is not a useful brand typeface.

Yes, especially once more people begin creating communication for the brand.

Choosing one or two fonts is only the beginning. A typography system defines how headlines, subheadings, body copy, numbers, captions, product information, and other content should behave.

Without hierarchy, every designer decides sizes, weights, spacing, and styles differently.

The system makes communication easier to read and helps the brand remain recognisable even when the logo is not immediately visible.

Customers often recognise the visual language of a brand before consciously noticing the logo.

Repeated use of distinctive colors, typography, hierarchy, and layout creates familiarity over time.

For Burp, the visual system needed enough energy and flexibility to work across packaging variants while still feeling like the same brand.

That is why we treat color and typography as part of the wider brand identity system, not as two decorative choices made after the logo is finished.

FOR SERIOUS FOUNDERS ONLY

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